Párrafo en Fira Mono: Se trata de un tipo de letra la mar de agradable a la vista diseñada por Erik Spiekermann y Ralph du Carois. De acuerdo con los chicos de Mozilla, Fira fue diseñada «para integrarse con el carácter del sistema operativo» y para «cubrir las necesidades de legibilidad en una amplia variedad de dispositivos móviles».
Párrafo en Fira Sans: Se trata de un tipo de letra la mar de agradable a la vista diseñada por Erik Spiekermann y Ralph du Carois. De acuerdo con los chicos de Mozilla, Fira fue diseñada «para integrarse con el carácter del sistema operativo» y para «cubrir las necesidades de legibilidad en una amplia variedad de dispositivos móviles».
Párrafo en Roboto: Roboto has a dual nature. It has a mechanical skeleton and the forms are largely geometric. At the same time, the font features friendly and open curves. While some grotesks distort their letterforms to force a rigid rhythm, Roboto doesn’t compromise, allowing letters to be settled into their natural width. This makes for a more natural reading rhythm more commonly found in humanist and serif types.
Párrafo en Roboto Slab: Roboto has a dual nature. It has a mechanical skeleton and the forms are largely geometric. At the same time, the font features friendly and open curves. While some grotesks distort their letterforms to force a rigid rhythm, Roboto doesn’t compromise, allowing letters to be settled into their natural width. This makes for a more natural reading rhythm more commonly found in humanist and serif types.
Párrafo en Roboto Condensed: Roboto has a dual nature. It has a mechanical skeleton and the forms are largely geometric. At the same time, the font features friendly and open curves. While some grotesks distort their letterforms to force a rigid rhythm, Roboto doesn’t compromise, allowing letters to be settled into their natural width. This makes for a more natural reading rhythm more commonly found in humanist and serif types.